"When you observe Konstantin Grcic at work in his studio and see elegant, sculptural prototypes emerging from industrial raw materials, it becomes obvious how closely related his work is to a sculptural process.
At the same time, certain pop and fashion codes cannot be overlooked. Seen from this perspective, his designs reflect the hybridity of our time.

MYTO highlights this moment, there by marking a continuation of the tradition of cantilevered classics in a charismatic manner. The aesthetic is derived from the visual stages of three mutually interdependent processes: traces of creative discovery, the analytical, cryptic moment of technical feasibility, and the revealing impressions of the reality of industrial production."